Here are the stages of evolution of the current celeb:
Hatching stage
: Two weeks since hatching from the swamp and jumping head to the local celebs swamp, Etty Kreif is developing exactly as planned.
As expected, the commercial channels were captivated by the retired judge's charms, as if assembled in a factory for producing characters that television falls for: a strong, careerist and charismatic woman who can be laughed at and clicked on, and at the same time impressed and inspired.
And Krif takes advantage of the moment.
The day before yesterday she had already run to Ofira and Barko to "answer all the squealers, slanderers, purifiers and gigglers", because who are you to interfere with Eti Kreif living the dream?
Rejoicing at any compliment that Assayag showered on her, as if it were a standard celebrity character, Kreif today is not just a celebrity, but one of the kind that is interrupted by an interview with her for the purpose of broadcasting a gold commercial.
Etty Kreif talks about herself in the third person, but Etty Kreif gallops on a track to nowhere.
Her claims of public intrusion into her privacy fade as she repeatedly spreads, metaphorically, on screen.
And when Kreif is asked about her fondness for publicity, she usually shifts her answers to comfortable gender districts of the status of women.
And if she's a woman, it's legitimate for Asaig to flood Kreif's conflict with Effie Naveh's ex-wife;
After all, every strong and famous woman must have an nemesis with open debt.
Etty Kreif has completed the breakout phase.
She imitates the imitation from "Great Country," and recites "Well, well, well," aware that this is her trademark.
Faraj's sun rips through the sea, and she sails inside the flip-flops.
Wherever the lights go, she's there.
Halka, Lipstick and the rest of Devin.
"I want to be with me and enjoy the new life I have been given," she said on Tuesday, "what will Etty Kreif decide to do with it? Everything is open and authority is given."
The leverage phase
: Kreif is aimed at the lucrative phase of the celeb evolution, when the box office rings and reality calls to you.
Take, for example, Prof. Idit Matot, who was interviewed by Kushmero at Ulpan Shishi to promote: a) a docu on Ichilov broadcast on HOT, b) a new reality show by Keshet, c) a corona policy mitigating alongside medical instructions for dealing with the plague.
When Kushmaro the city quarreled over the lust for publicity, she stuck to the word "lust" and through it diverted her answer to comfortable gender areas.
According to her, people tweet that "there is a woman here who is considered successful, who says her opinion."
It reminded Kushmero that he had to find out what her part was with Galia Rahav.
She's Nemesis, or what?
Criticism of staffs will intensify, but only because as part of the realization of professorial glory it hovers too close to the sun, and will soon burn.
A month ago it was reported that in the last two years, staffs have been interviewed 294 times.
Tonight the season of "Dancing with the Stars" will be launched, and the magic staff of the Yonf staffs will also be there.
Lust for advertising?
What's up, she's just a doctor dancing at all the weddings.
Stage "I was once"
: When Omar Yardeni posed a question to Pnina Rosenblum about the status of women, as part of a letter in "Shishi" (Network 13) to mark 75 years for "Laisha" magazine, she replied evasively: "You already mentioned that for 50 years I was on 17 covers" .
At the end of it, every celeb becomes "has been" and his world fame is hidden in the archives.
Pnina does not have to prove that she is a strong woman.
She made her dreams come true, did all the hosting shows and launches, conflicts and novels, reality and commercials.
Where else can one aspire from here?
The Israeli celebrity evolution will only end as soon as it is crowned number one celeb.
"The next gate will be when I become president," Rosenblum declared.
"That's the next goal, in seven years I would like to run for president."
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