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At the Orangerie, the Impressionists leave the frame

2022-03-21T14:40:03.447Z


By Monet, Renoir, Caillebotte, Cézanne or Pissarro brought together in bouquets, the Musée de l'Orangerie in Paris shows to what extent these enthusiasts of easel painting and the open air were also prodigious interior decorators.


A clown greets the public in the basement of the Musée de l'Orangerie in Paris.

Seurat?

Toulouse Lautrec?

No.

It is to Renoir that we owe this atypical painting, on loan from the Museum of Otterlo (Netherlands).

In 1868, the painter was not yet renowned.

And it is to put a little butter in the spinach that he would have accepted this order from the owner of the Cirque d'Hiver café.

He wanted atmosphere, bright and joyful colors around his bar.

Thus this full-length portrait, despite what its richly worked frame suggests, was originally only a decoration.

To discover

  • Discover the “Best of the Goncourt Prize” collection

Read also

A bouquet of flowers completed, Auguste Renoir died on December 3, 1919

"The decorative fiber of the Impressionists has long been hidden, in particular because of the art market, which has divided and reformatted many sets, framing the parts to sell them as paintings once the rating of the artists has risen"

, explain curators Sylvie Patry and Anne Robbins.

Moreover, except for a Mary Cassatt who was chosen to decorate one of the eardrums of the pavilion in the interior courtyard of the Pavilion...

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Source: lefigaro

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