Netflix has aired a couple reality series this week that breaks the viewing records and "wat de pak", and some will say that the "wat de hel" records and wish those who invented the format to end up as a burning skewer in hell.
What's the novelty?
Taking ownership of the couple's deal breaker moment, in which one of them announces "marriage now or parting later," and agreeing to throw the other half and himself into that experiment that Ross and Rachel brought into the world under the excuse "we were on a break."
That is, to be with others.
The casting department found American couples stable enough, though these were young men in their 20s for their emotional development, and persuaded one of the couple to be the trigger for the incident, in a format that would very quickly make him feel that the moment had been broken.
The idea arose from the distress of the "stressed wedding", who began to lose it in the face of the indifferent or deceptive side.
The reasons given by the wedding refusers are varied: "I'm looking for financial stability" or "I better put hot singles in bed that the production has arranged for me, to really know that we are 'it' '.
Would you think that "Family Breaker" reality takes it a little too far when it allows undecided a week of experience?
In the "ultimatum" they decided that all these would take place in front of the terrified face of the one who had just sent them.
After a week in which the ultimatums choose a new partner to make a final killing confirmation of the original relationship - they are sent to live together for three weeks.
Then they move in for that same amount of time with that spouse - and if there is anything left of the relationship they came with, they are forced to choose whether to go to the wedding with the original, the replacement, or break up the coalition.
In the "ultimatum" the couples came of their own free will, and there are no two psychologists who can be blamed for a forbidden stir in the hearts of the contestants, but the insane manipulations led by the production do their thing.
At a very early stage the entrance ticket to hell is punctured with quite a bit of heartache for the women and men, some experiencing abandonment anxiety, some picking up the tin they have been buried for, and not sure being humiliated in front of half a universe of subscribers helps.
In short, someone on Netflix did not say to himself, "I'm sure I'll end up in hell," but "How do I make sure I get there safely?"
Were we wrong?
Fixed!
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