For her first feature film, Louda Ben Salah-Cazanas chose autofiction.
His alter ego is a writer and not a filmmaker.
Although Labidi is not quite a writer.
His agent got him a contract with a publishing house on the strength of the first three chapters, but he still has to write the sequel to this ambitious novel against the backdrop of the Algerian war.
To discover
Discover the “Best of the Goncourt Prize” collection
Read also
Our review of Of our wounded brothers: the tragic lovers of Algiers
We see very little written Labidi.
The young man hardly has time.
His work as a Deliveroo deliveryman monopolizes him.
He cribs in a maid's room where his overweight roommate takes up more than half the floor space.
Passing through Lyon, where his parents run a café, he falls in love with Elisa (the amiable Louise Chevillotte).
He convinces the pretty student to follow him to Paris.
They live on love and pasta, stolen from the supermarket.
"Class Bastard"
Labidi belongs to this category that sociologists call “precarious intellectual”.
Above all, it is precarious.
In a hostile, gray and rainy Paris, earning money becomes an obsession.
By force…
This article is for subscribers only.
You have 58% left to discover.
Cultivating your freedom is cultivating your curiosity.
Keep reading your article for 1€ the first month
I ENJOY IT
Already subscribed?
Login