Giorgia Soleri, I Miss Nobody

 '' Who is

?

In the beginning she was an alter ego to write

(Ed. David,

frontman ) when our relationship was still reserved, then she took on a dimension of her own, she became a living person and it was my way to detach myself from what I tried, to look at it from the outside and communicate it.

It's a universe. ''

Now the `` Miss Nobody '' is the title of the first book of poems by

, 26 years old, model, influencer, '' party pooper feminist '', as she defines herself.

But she too is an activist engaged in the battle to clarify the disease that tormented her, endometriosis, and is now the promoter of the bill for the recognition of vulvodynia and pudendal neuropathy in the essential levels of assistance of the national health system.

A battle in which Damiano, with whom she has been in a relationship for 8 years, has lined up alongside her.

Damiano David and Giorgia Soleri

ANSA agency

Damiano dei Maneskin supports Giorgia and pdl vulvodynia - Politics

Soleri in Parliament, disease in the LEA of the health system (ANSA)

Pain is one of the main themes of the rest of this beautiful book of verses - enriched by the illustrations by Emma Passarella - in which the problems that afflict boys and girls are all there: self-harm, anorexia, suicide, even abortion, in short, discomfort. emotional in all its forms.

'' 'In many things life has been magnanimous with me - says Giorgia, in soap and water version and with a sweet smile - but my mother says that for people love at 5 or 50 is different because awareness is different you have of yourself, but the pain is always the same.

There is no hierarchy of pain.

And writing is a way to express it in a society that wants us to be hyperproductive and has lost the ability to metabolize it ''.

Tax pain but also social discomfort that seems so similar to that of artists like Frida Kahlo to Antonia Pozzi, who also fought the limits that they felt came from their being women.

Has nothing changed since the 1920s?

'' We are not at this point - she says with passion - also and above all thanks to the battles of women and feminists.

Although we are not at the point where they would have thought to arrive 50 years later.

I grew up with the suffrage lullabies that my mother sang to me to fall asleep, and I also see unwillingness with a feminist lens that highlights the critical issues with respect to gender equality.

Being a feminist is being able to see one's privilege - I am a white woman from a bourgeois family - but at the same time patterns of oppression and intersections between the oppressions that exist and remain ''.

Mother whom she often mentions and to whom she dedicates the book and a moving poem: '' '' What do you want to be when you grow up? / The ladies ask me / '' My mother '' / I say ''.

 '' A way of detaching myself from myself '', as he describes his passion for poetry '' born when I was 10 years old '', he reveals: '' here the oldest verses are from 2016 but most of them I wrote between 2017 and 2019 ''.

'' I don't like poetess, I prefer poet but I don't take offense '', but her most loved ones are Pozzi herself, Franco Arminio, Patrizia Cavalli, 'Mariangela Gualtieri, Livia Candiani ...' I have always worked for my image, I have been a model since I was 16 and I wanted to detach myself from this, not to work with the container but to communicate through the body.

Like the actors do.

And then I became an influencer to be able to have a direct line with people ''.

In fact, she has an '' extreme urgency to communicate ''.

'' I have many passions and almost all of them have managed to make them a job, apart from photos even though I love to photograph.

What am I going to do tomorrow?

I want to try out artistic languages ​​at 360 degrees ''.

And after all, '' communicative '' is the word that, according to her, best describes it.

But at the moment among her many projects she denies that you know anything in the pot with the Ferragnez: '' the photo together?

We were in Milan with Damiano who met Federico at X Factor, he called them and we saw each other but just like that, only in friendship ''.

But it is clear that she and her partner fly high, not by chance in Miss Nobody, not only the many, beautiful pages of love, but also a mythological figure: Icarus.

'' Who is Icaro?

Icaro is a person that I loved and that I love very much,

an ambitious one who wants to fly close to the sun.

When ambition slows him down and scares him, Miss Nobody arrives to make an exchange.

I would have used the name but Icarus has a more complex meaning.

Sole has always been my nickname, obviously from Soleri, and for years I have always presented myself like this.

In short, there is also the play on words ''.

These are pages, after all, imbued with love ('' being able to live in maximum relationship with others is the maximum liberation you can have '') but 'romantic love is not in contrast with feminism?

'' Love in a romantic sense is a hetero and patriarchal vision.

If it were between two women would it be objectifying?

In these pages there is love in a broad sense, saving when you enter into a relationship with the other because true happiness is sharing the journey ''.

'' The opposite of death / it is not life, / no / it is love. / Amor (t) e '', she writes.