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Jasmine Trinca, directorial debut "It's a tribute to my mother"

2022-05-21T15:28:39.085Z

Just 20 years ago Jasmine Trinca made her debut as a teenager at the cinema, directly at the Cannes Film Festival, commissioned by Nanni Moretti for The Son's Room, Palme d'Or 2001. (ANSA)



(by the correspondent Alessandra Magliaro) (ANSA) - CANNES, 21 MAY - Just 20 years ago Jasmine Trincadebuttava little more than a teenager at the cinema, directly at the Cannes Film Festival, commissioned by Nanni Moretti for La stanza delfiglio, Palme d'Or 2001. " I started with a special film and it has a special effect on me to be here today, to look at everything I have done, to think about how much luck and happiness ", says the actress who is on the jury chaired by Vincent Lindon who will award the Palme d'Or on May 28 and accompanied with great emotion his directorial debut with Marcel !, today in special screening.

The film, a Cinemaundici eTotem Atelier production with Rai Cinema in cinemas with Vision from 1 June, tells the relationship "of love and cruelty" between a mother and a daughter,

all seen through the eyes of the little girl (Maayane Conti) who, fatherless, is raised by her paternal grandparents (the grandmother is Giovanna Ralli, grandfather Umberto Orsini) in the building next to the one where her mother (Alba Rohrawcher) lives, an artist who proposes a number with the dog Marcel, who seems to love more than her daughter.

All set in a microcosm of buildings where everyone knows each other (the Garbatella in Rome), with Fellini and Chaplinian echoes.

At the origin there is a process of elaboration of the experience of Jasmine Trinca, "a fairy tale that re-elaborates my past, as a stage in a path of treatment that began a long time ago but which certainly - according to ANSA - this film gives a good blow".

The daughter who admires this mother who seems to have space in her heart only for the dog (then it will turn out to be a bereavement too) make a bad part grow within herself.

We are far from the "stereotype of the protective mother. I had a mother much freer than I am now, avant-garde, pioneer, not a mother devoted to sonship, a crooked mother like the one in the film, inhabited by art and pain, a superheroine seems to me today, in I struggle to live. She gave me a lot of the feminine, with the little we had I arrived here in Cannes, and this film is also an attempt to make peace with her and thank her.

not a mother devoted to sonship, a crooked mother like the one in the film, inhabited by art and pain, a superheroine seems to me today, struggling to live.

She gave me a lot of the feminine, with the little we had I arrived here in Cannes, and this film is her attempt to make peace with her and thank her too.

not a mother devoted to sonship, a crooked mother like the one in the film, inhabited by art and pain, a superheroine seems to me today, struggling to live.

She gave me a lot of the feminine, with the little we had I arrived here in Cannes, and this film is her attempt to make peace with her and thank her too.


   I have come from years and years of joys and sorrows, transforming this experience creatively gave me great energy and now makes me seem lighter ". (ANSA).


Source: ansa

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