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At the Lucerne festival, creation takes the splits

2022-09-01T14:22:22.567Z


CRITICISM - If symphonic music occupies a large place in the Swiss event, the contemporary deserves to be explored. A meeting between noise and improvisation that can be stimulating and sometimes disappointing.


Special envoy to Lucerne

Every year, a compulsive love of symphonic music draws us to the Lucerne Festival as to a paradise of orchestras, whether it is the miraculous house phalanx founded by Claudio Abbado, or the great world formations that meet you between mid-August and mid-September at Lake Lucerne.

All this orchestral obsession, we have too neglected the other pillar of this festival which walks on two legs: contemporary creation, through the academy founded by Pierre Boulez and today led by Wolfgang Rihm.

It also has its own orchestra, the LFCO (Lucerne Festival Contemporary Orchestra), where a hundred young musicians familiarize themselves with the musical languages ​​of their time under the guidance of great creators.

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In one weekend, we had a glimpse of the ambition of the demonstration led by Michael Haefliger, in the fascinating room of Jean Nouvel.

A kind of big gap, between radical noise...

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Source: lefigaro

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