For a long time, he remained in the shadow of Scorsese, faithful screenwriter from
Taxi Driver
to
Raging Bull
.
At 76, Paul Schrader finally acquires the aura of a great filmmaker, but confides to AFP that he is ill, and may not be able to film anymore.
"
I can't breathe, I couldn't even direct a game of mini-golf right now
," the director told AFP during an interview on the Lido at the Venice Film Festival.
"
I could very well be hospitalized again tomorrow
."
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The Card Counter
, by Paul Schrader, the chips are not down
His illness, which has not been precisely identified, the doctors not being able to tell him whether it was a cardiac or respiratory pathology, started a few months earlier, when he was finishing his last film,
Master Gardener
.
The figure of New Hollywood was however able to come to Venice, where the Mostra presented him with a Golden Lion of honor for his entire career, and where he was able to present, out of competition,
Master Gardener
with Sigourney Weaver and Joel Edgerton.
As often in the films of the American director of
Blue Collar
or last year
The Card Counter
, already presented in Venice, it is about men haunted by the faults of their past, violence, paternity and an impossible redemption. .
The film tells the story of a gardener with a dark and extremely dark past, caught in a love triangle, against a backdrop of racial tensions.
“
We don't think of Paul Schrader as someone who would write great roles for women.
But, at this stage of his life, he created two strong and sexual women
,” observed Sigourney Weaver, interviewed by AFP.
Screenwriter for Spielberg, De Palma, Pollack...
It was not until very late that Paul Schrader, who worked as a screenwriter for the greatest, from Scorsese of course to Steven Spielberg (
Close Encounters of the Third Kind
), Brian De Palma (
Obsession
) or even Sydney Pollack (
Yakuza
), achieved full recognition.
His first Oscar nomination (best screenplay) dates back to 2017 only, for
On the way to redemption
, with Ethan Hawke, released directly on DVD in France.
"
Like a lot of guys of my generation, I wanted to be De Niro, Al Pacino... and Paul was at the center of that era.
He is someone important to me.
Working with him was something really special
,” says Joel Edgerton.
Paul Schrader is not one of those directors "
whose best works seem to be behind them when they get older
," added the 48-year-old actor.
If
Master Gardener
takes up classic themes, Schrader thinks that the racial question, which emerges as the film progresses with a character who tries to overcome his past as a neo-Nazi without erasing all traces of it, can be burning today, “
in our 'woke' era where everything is judged by who might be offended.
Maybe (the movie) isn't realistic, maybe it could never happen.
But that's what art is for.
To create hypotheses.
»
His last three films seem inseparable with their characters seeking redemption, to the point that one could see a trilogy in them.
This set didn't exist at first, as Schrader points out: “
When I started writing the third, a friend told me it was a trilogy.
I said, no, not at all!
But then I realized that was the case
.”
The Golden Lion does not completely wipe out a checkered career, with its share of critical and commercial failures.
Working today is totally different, he observes, however: new technologies make it possible to lower filming costs, and therefore to free oneself from the constraints of the studios.
"
The good news is that anyone can make a film today
," he says.
The bad news
is that “no one can live off of it
”.
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