Joan Mitchell was a one-and-a-half-year-old baby learning to walk on the shores of Lake Michigan in Chicago when Claude Monet died on the edge of his pond in Giverny (Eure) in 1926. Water as a point of contact.
The Louis-Vuitton Foundation, which never does things by halves but rather doubles, is devoting two exhibitions in one from Wednesday to this dialogue between two artists for whom the landscape is first of all a colorful dazzle, before having outlines.
Subscribe to read more
Already subscribed?
To log in