Ange Leccia in Giverny is not entirely obvious, rather a walk that ends by the chance of art and affinities in the heart of this small Impressionist kingdom.
“What I like about Monet's garden is that it is part of a philosophical approach.
The painter built this floral device in the midst of the 1914-1918 war.
In this destructive geopolitical context, he finds life in his vegetal journey”
, confides to us this videographer, born in 1952 in Minerviu, in Corsica, whose work has the particular time of poetry.
“I loved filming Monet's garden very early in the morning, before sunrise.
I really like the white roses stuck to her house and the pink roses.
I like less, perhaps because I have seen them too much, the water lilies.
Too connoted Monet.
But what I love the most in Monet's garden are the poppies and their fragility."
By his lightness and his tempo, this artist without fuss tames beauty and delicately invites summer in the middle of…
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