Gérard Jugnot does not age.
Having decided very early on not to be fashionable, it does not go out of style.
Each of his films is imbued with a universal and eternal innocence, freshness, poetry and emotion where one would look in vain for the slightest trace of cynicism, condescension, perversity.
He films with a child's soul stories of adults and transmission where beauty, benevolence and humor act as the holy trinity to which he religiously obeys.
Even the negative characters in him end up being saved in a plan or a dialogue.
If he weren't there, who would show us anything other than Evil (victor or vanquished) on the big screen?
Who wants a seventh art where only the Dardennes would have the right of citizenship and praise?
Read alsoJean-Christophe Buisson: “Women, women, women”
This year, the ex-Bronzé offers a beautiful Christmas present:
Le Petit Piaf
(in cinemas on December 21).
The setting: the island of Reunion, which is much more pleasant to watch than the Belgium of the directors mentioned more…
This article is for subscribers only.
You have 53% left to discover.
Cultivating your freedom is cultivating your curiosity.
Keep reading your article for €0.99 for the first month
I ENJOY IT
Already subscribed?
Login
