Don DeLillo is a trendy New York writer revered by snobbish critics - which does not prevent him from having undeniable literary qualities.
Noah Baumbach is a trendy New York director revered by snobbish critics - which does not prevent him from having undeniable cinematographic qualities.
The snobbish critic will therefore, logically, be amazed by the adaptation by this one of a novel of that one (
White Noise,
translated in France under the title
Bruit de fond
).
Especially since Adam Driver appears in the credits, whose unstructured and dilettante look, deceptively soft phrasing and participation in
Marriage Story
by the same Baumbach and
Annette
by Leos Carax guarantee ad vitam æternam praise from the same snobbish critic.
Read alsoIn Venice, Netflix takes the lion's share
But the viewer in all of this?
We wish him to have digested the holiday meals well to survive this visual and narrative gloubi-boulga, excruciatingly talkative, whose ingredients are as follows: a blended family where everyone speaks in...
This article is for subscribers only.
You have 54% left to discover.
Cultivating your freedom is cultivating your curiosity.
Keep reading your article for €0.99 for the first month
I ENJOY IT
Already subscribed?
Login