If the sixth episode in the second season of "The Dubbed" doesn't make you want to watch this series, then you don't like television.
Yes, it is very superficial and general to write this, but if all the social networks are talking about this episode, and if on WhatsApp everyone sends one message: "Well, did you see?", then something happened here.
• After 20 years: This sequel series is one of the best we've seen
• Brutal and gloomy, empathetic and moving: "The Last of Us" sets a high bar of expectations
• Financial Sociopath: The Madoff docu is a quality document about gridlocked America
It may be that "The Dubbed" is not so popular, because it broadcasts "Yes", while in its content and essence it is content that is more suitable for the audience of "Hot" consumers, but what does it matter.
When there is such a good piece of television, it breaks through and the platform on which it is broadcast doesn't really matter.
With your permission, there is nothing to linger only on this sixth episode, despite the way it grabs the viewer and does not let go, for the simple reason that it would be unfair.
"The Dubbed" doesn't need one episode in the second season to make you think about it and engage with it.
It is doing her an injustice, because she deserves much more.
He would become one of the greatest players to grow up here.
Or Ben Melek in "The Dubbed: Open Account", photo: Itzik Portal - courtesy of yes
"The Dubbed" upholds the first law of great work - it understands that the more local you are, the more global you are.
She doesn't want to do Hollywood, she doesn't look for herself overseas, and she doesn't need someone to format her for another country.
"The Dubbed" is the most Israeli series on your television today, and that's why it does the job so well.
The characters of David (Amos Tamm, who my wife thinks I don't know she's into, without her knowing that I was into him long before her. Is it possible not?), Asa (Or Ben Melek, who, if he doesn't go wrong along the way, will become one of the greatest actors who grew up here) and Sophie Katz (Is there anything to write about Anya Bokstein that hasn't already been written about her before? Maybe we both played in the movie "A New Land". So it was already clear to anyone who watched the 12-year-old girl that she would become a star. scenes, I ended my film career there), they are not characters from the bottom of Israeli society,
With the character of Ada (the sharp Idit Teperson, who, together with Tzipi Shavit in the first season, reminds us how much depth there is in the old women's game in Israel, and how little we get of it on the screen) and the multitude of simply excellent supporting actors, we get the updated Israeli dream for those who were not dealt by fate He has excellent cards: real estate, of course, as a sign of success for those to whom the door to high-tech is closed, the local authority and the petty politics that allow you to raise your head for a moment from the grayness of life, and crimes and misdemeanors because maybe in a different place at a different time the reality could have been different. One can imagine For a moment, the preoccupation with other crime series and films in the history of Israeli culture, for me the associations took to the classic "Under the nose" from the early 80s.
In some ways, David and Asa are a contemporary and advanced incarnation of Sami Ben Tovim and Herzl Malol, who may be more sophisticated, less disadvantaged and dream farther, but the dream remains the same dream: to hit the jackpot.
Anya Bukstein in "The Dubbed: Open Account", photo: Itzik Portal - courtesy of yes
were we wrong
We will fix it!
If you found an error in the article, we would appreciate it if you shared it with us