Funny zebra, this Guillaume Nicloux.
A dozen feature films in thirty years that seem to go in all directions and in all genres.
Polar (
Le Poulpe
,
A Private Affair
,
This Woman
,
La Clef
), comedy (
Holiday
), adaptation of Diderot (
La Religieuse
, with Isabelle Huppert) and Grangé (
Le Concile de pierre
, with Monica Bellucci and Catherine Deneuve) , war film (
The Ends of the World
, with Gaspard Ulliel), Nicloux is not afraid of anything.
The proof, he directed Michel Houellebecq several times, in his own role or as boss of the DST (
L'Enlèvement de Michel Houellebecq
,
L'Affaire Gordji: Histoire d'une cohabitation
), and Gérard Depardieu (
Valley of love
,
The End
), and even the two in bathrobes in the same film (
Thalasso
).
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While waiting for
La Petite
, with Fabrice Luchini, Nicloux signs
La Tour
, a fantastic film without movie stars but with the rapper Hatik.
One fine morning, or perhaps one night (6 a.m. to be precise), the residents of a high-rise apartment building find themselves…
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