The episodes of "Fleishman in trouble" begin and end with the camera turning over, as if to imply that the world turns over on the characters.
But not only life turns upside down, but also our opinion about people or events, which is shaped by the information we know or the point of view of the storyteller.
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This is the story of the divorce of Toby Fleischman (Jesse Eisenberg who again manages to be more sleepy than the character he plays).
The mother of his two children (Claire Danes, as usual good in everything she does), left home after 15 years of marriage, and he has to raise the children alone and connect to dating apps.
The narrator is his friend from college (the great Lizzie Kaplan), who is also married plus two and is drawn into his new and free life to obscure the bitterness of her life.
"Flyshman in trouble", photo: Disney Plus
But "Fleishman" uses a man to make her real voice sound.
As one of the characters admits in a certain scene: in order to be treated, stories about women have to enter the public consciousness like a Trojan horse and be presented in the guise of a story about a man.
That's why the drama, whose eight episodes are available to watch on Disney+, is a sophisticated work that takes its viewers through a process.
Little by little she reveals that Toby is not what we thought, and that the heroines are the women.
You had to listen to them to understand this.
In "Fleishman in trouble" there are plenty of original distinctions about marriage and divorce, about nouveau riche life and privileges, about postpartum depression and about combining career and motherhood.
"Flyshman in trouble", photo: Disney Plus
It has a dash of Judaism, Hebrew music and jokes about Jahanon and Rabin's murder.
"Fleishman in trouble" may be heavy and depressing, but it magnetizes the viewer to it and presses on the heart.
She is the opposite of what she seems.
"Flysman in Trouble", Disney+
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