The catwalk of the Saint Laurent fashion show in Paris is illuminated by huge golden chandeliers with hundreds of lighted candles, suggestively multiplied by a play of mirrors.
In this romantic and retro atmosphere, the creations of Anthony Vaccarello parade in striking contrast, this time he has decided to re-read the codes of the French maison with a decisive "T" silhouette, focused on the enormous, gigantic shoulders.
The structured and exaggerated shoulders are the point of attraction of a silhouette that demands sharp, almost cutting lines underneath.
The jackets are the result of a precise construction, which aims to overturn the proportions of the female figure.
The one designed by Vaccarello is an imperturbable, impenetrable, powerful woman.
Magnetic.
The contrast with the deep necklines of the blouses on the back and décolleté, nor the transparencies of the chiffon, or the stiletto heels and showy jewels, are not enough to soften the aesthetic impact of this woman so determined, strong-willed, that she looks like her direct niece of the eighties managers, all suits with padded shoulders and décolleté, which marked an era.
Those were the years of Reagan Hedonism, years in which clothing was a career tool.
Jackets were, for men and women, the visiting card at work, the guarantee of success, symbolizing authority and professionalism.
Even if it was Yves Saint Laurent who cleared customs for the women's tuxedo in 1966. In the new collection, Anthony Vaccarello has brought power dressing back to the catwalk.
nor the transparencies of the chiffon, or the stiletto heels and showy jewels, to soften the aesthetic impact of this woman who is so determined, strong-willed, who seems to be the direct granddaughter of eighties managers, all suits with padded shoulders and décolleté, which marked an era.
Those were the years of Reagan Hedonism, years in which clothing was a career tool.
Jackets were, for men and women, the visiting card at work, the guarantee of success, symbolizing authority and professionalism.
Even if it was Yves Saint Laurent who cleared customs for the women's tuxedo in 1966. In the new collection, Anthony Vaccarello has brought power dressing back to the catwalk.
nor the transparencies of the chiffon, or the stiletto heels and showy jewels, to soften the aesthetic impact of this woman who is so determined, strong-willed, who seems to be the direct granddaughter of eighties managers, all suits with padded shoulders and décolleté, which marked an era.
Those were the years of Reagan Hedonism, years in which clothing was a career tool.
Jackets were, for men and women, the visiting card at work, the guarantee of success, symbolizing authority and professionalism.
Even if it was Yves Saint Laurent who cleared customs for the women's tuxedo in 1966. In the new collection, Anthony Vaccarello has brought power dressing back to the catwalk.
aesthetic impact of this woman so determined, strong-willed, that she seems the direct granddaughter of the managers of the Eighties, all suits with padded shoulders and décolleté, which marked an era.
Those were the years of Reagan Hedonism, years in which clothing was a career tool.
Jackets were, for men and women, the visiting card at work, the guarantee of success, symbolizing authority and professionalism.
Even if it was Yves Saint Laurent who cleared customs for the women's tuxedo in 1966. In the new collection, Anthony Vaccarello has brought power dressing back to the catwalk.
aesthetic impact of this woman so determined, strong-willed, that she seems the direct granddaughter of the managers of the Eighties, all suits with padded shoulders and décolleté, which marked an era.
Those were the years of Reagan Hedonism, years in which clothing was a career tool.
Jackets were, for men and women, the visiting card at work, the guarantee of success, symbolizing authority and professionalism.
Even if it was Yves Saint Laurent who cleared customs for the women's tuxedo in 1966. In the new collection, Anthony Vaccarello has brought power dressing back to the catwalk.
clothing was a tool to make a career.
Jackets were, for men and women, the visiting card at work, the guarantee of success, symbolizing authority and professionalism.
Even if it was Yves Saint Laurent who cleared customs for the women's tuxedo in 1966. In the new collection, Anthony Vaccarello has brought power dressing back to the catwalk.
clothing was a tool to make a career.
Jackets were, for men and women, the visiting card at work, the guarantee of success, symbolizing authority and professionalism.
Even if it was Yves Saint Laurent who cleared customs for the women's tuxedo in 1966. In the new collection, Anthony Vaccarello has brought power dressing back to the catwalk.