Since 2018 and his exhibition “On Air”, which featured spiders, their disproportionate webs on the scale of their size, their wisdom, their economy and their almost Martian waves in the night of the Palais de Tokyo, the Argentinian of Berlin Tomas Saraceno is remembered as the Spider-Man of art.
Here he is back at the Espace Muraille, in Geneva, a pretty designer labyrinth buried in a thick rampart, from collectors Caroline & Éric Freymond.
It is subtly implemented by Laurence Dreyfus, the “art advisor” who created the annual art event, Chambres à part, in Paris, during the Fiac then Paris+ by ArtBasel.
Tomas Saraceno had already exhibited his suspensions there in 2015 in the shape of molecular constructions or constellations as fine as fishnets.
Today he presents “Life of Webs”, a sequel to “Webs of Life”, his
“collaborative and multi-species”
exhibition at the Serpentine Gallery in London last summer.
Cascading utopias.
Its amazing
Spider Maps
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