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When the madness of Wim Delvoye blows over the wise Geneva Museum of Art and History

2024-02-07T14:33:51.581Z

Highlights: When the madness of Wim Delvoye blows over the wise Geneva Museum of Art and History. The Belgian artist has retained the taste for the baroque of his native Flanders. Corrosive humor and crazy preciousness on the program. A giant game of marbles, the English-speaking marble run, invades the walls of the historic rooms with its infinite circuit. He speeds through the windows and works, the fake Picassos and the fake Warhols, but also the authentic panels decorated with a Missionary Saint.


CRITICISM – The Belgian artist has retained the taste for the baroque of his native Flanders. Corrosive humor and crazy preciousness on the program.


Special envoy to Geneva

Deafening noise when you enter the wise Museum of Art and History (MAH) of Geneva where collections of scholars lie dormant: coins, armor, musical instruments, old masters.

Where silence is usually required, where stillness is essential, Wim Delvoye blows a wind of madness which shakes up all the museum rules and upsets the gaze without any more regard for the peace of the visitor.

A giant game of marbles, the English-speaking

marble run

, which has its fan clubs all over the world, invades the walls of the historic rooms with its infinite circuit.

He speeds through the windows and works, the fake Picassos and the fake Warhols, but also the authentic panels decorated with a

Missionary Saint

(undated), the carved wood of a

Putto with miter

(around 1750) and a

Saint Francis Xavier, apostle of India and Japan

(around 1700), even the portrait of a bearded man (anonymous author, undated oil on canvas), four works from the personal collection…

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Source: lefigaro

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