A small, quiet apartment, at the bottom of a courtyard located in the 3rd arrondissement of Paris.
This is where Anne Fontaine receives us with charming manners, worthy of another century.
Delicate paintings adorn the walls of the living room.
Hanging above his work table, a photograph arouses curiosity.
“He’s my father, he was an organist
in Lisbon
,”
says the filmmaker, who practiced cello and piano under his guidance.
“I received classical training while I dreamed of learning the guitar,”
she smiles.
At some point, I developed a form of rejection.”
Short-term weariness.
Having become a dancer, she rediscovered the majesty of numerous masterpieces of our musical heritage.
Among them:
Boléro
, by Maurice Ravel, to which she dedicated a fascinating film * with Raphaël Personnaz in the guise of the illustrious composer, but also Jeanne Balibar, Doria Tillier and Emmanuelle Devos.
A 5 star cast.
Ravel is an eternal young man, a dandy, a feminist before his time;
a musician on the lookout for the sounds of life, dissatisfied with his “Bolero”, who was not able to write everything he dreamed of
Anne Fontaine
After
Coco before Chanel, My worst…
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