Nathanaëlle Herbelin is as if set back from the picture.
The world of shadows, empty rooms, dreaming bodies, little nothings, belongs to him.
Soft voice, innate reserve, easy laughter which hides the thoughts remaining in a closed circuit and makes us forget the unusual silences in Parisian conversations, she flees the spotlight.
Intimate, delicate paintings, which take as subjects the mundane of life, the rush of days, happiness, mourning, waiting, dismay, perplexity, and magnify them.
She is a unique artist who embodies the renewal of contemporary painting with a disarming femininity.
Seduced by his
“subtle touch, his chromatic palette and his favorite motifs which remind us of Pierre Bonnard, Édouard Vuillard or Félix Vallotton”
, the Musée d'Orsay made him its spring guest.
“Being here is a splendor
,” replies this passionate reader of Marie Darrieussecq.
“If there is one museum that I like, it’s this one. I walked the aisles of the Museum…
This article is reserved for subscribers.
You have 83% left to discover.
Flash sale
€4.49/month for 12 months
I ENJOY IT
Already subscribed?
Log in