So there's some left.
Julien is one of those black hussars of the Republic that Jules Ferry spoke of.
His college is called Paul Éluard, but during his courses, he teaches Ronsard.
The students listen to him dissect
Mignonne, let's see if the rose
.
We almost have tears in our eyes.
Finally an old-fashioned teacher.
Apparently, Boris Vian and Virginie Despentes are not on the program.
It's a rest.
It must be said quickly.
The hero makes the mistake of taking Leslie, the shy Leslie, under his wing.
The teenager blushes, looks down.
The others laugh.
It all seems good-natured.
Here is the poor literary man accused of harassment.
He is amazed.
His superior summons him.
The principal tries to tone things down.
The famous phrase “no waves” appears on his lips.
So the sea is unleashed in this suburban establishment.
Picking up a girl?
Julien only wanted to explain what asteism was (please consult your dictionaries so as not to end up idiots).
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Parents get involved.
The brother of the pseudo-victim, a brute with a shaved head, threatens him with death.
Colleagues, always courageous, do not know what attitude to adopt.
A nice brunette nevertheless seems to have a liking for him - this lack of psychology should be sanctioned by the inspection.
In the corridors, eyes turn away.
The rumor is growing.
Suspicion wins.
The video of an evening is circulating.
The trap closes.
Everyone forgets one detail: Julien is homosexual.
Aggravating circumstance: he lives with a man named Walid.
This is not enough to calm the spirits.
The slightest word can be misinterpreted.
A lawyer?
Julien has no money.
File a complaint?
The administration suggests a handrail instead.
We're not getting out.
Why did he invite some students to the nearby kebab shop?
His generosity backfires.
Lies follow insinuations.
The feet in the plate
The brave idealist learns, but a little late, that the best is the enemy of the good.
He has the vocation;
this one has lead in its wings.
The pack effect is growing.
All this because he tried to analyze the phenomena of seduction in a 16th century text!
He had a mission.
He finds himself in a nightmare.
How naive!
The film, a modern version of The
Risks of the Job
, puts its foot down.
It is tight, tense, shows the distress of an adult, describes this tender age when we are so afraid of not being like others.
Teddy Lussi-Modeste, helped by screenwriter Audrey Diwan (
Bac Nord
), knows his subject.
A similar story happened to him.
On screen, he has the features of François Civil who swaps the musketeer's habit for the diploma's glasses.
Between silence and cowardice, between boos and sneers, he is sensitive and overwhelmed.
It's a bee hitting the window.
Lussi-Modeste, on the board.
You have the best grade.
Remind us what asteism means, again?