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At the Musée d’Orsay, and the impressionist light was…

2024-04-14T10:24:15.016Z

Highlights: The Parisian museum is celebrating the 150th anniversary of the birth of the movement. Degas, Renoir, Monet, Sisley, Pissarro, as well as a young woman of great character, Berthe Morisot. This generation does not form a school, not yet, but it scrupulously cultivates a kind of companionship. The touch is quick, lively –  “sloppy”, say their detractors. The paintings are luminous. We could almost feel the texture of the atmosphere, its silkiness. ‘Sloppy,’ says one critic. ‘That’s the word they use.’ ‘Luxury,” says another. “That�’ is the word that comes to them when faced with the motif, and, more than concrete reality, the subjective sensation and its immediacy.” ‘They paint, like so many others in Paris in this convulsive 19th century punctuated by insurrectional outbreaks and technical upheavals. But they paint outside, far from the strict atmosphere of large workshops and the control of masters.


The Parisian museum is celebrating the 150th anniversary of the birth of the movement, by presenting the paintings of the future masters of Impressionism exhibited at their own salon on April 15, 1874. And by comparing them to other works of their time.


They were mostly born in the middle of the July Monarchy. To say that they come from all walks of life would be abusive: sons of families predominate, descendants of an enlightened bourgeoisie. Finally, they paint, like so many others in Paris in this convulsive 19th century punctuated by insurrectional outbreaks and technical upheavals. But they paint outside, far from the strict atmosphere of large workshops and the control of masters. Their paintings are luminous. We could almost feel the texture of the atmosphere, its silkiness. The touch is quick, lively –

“sloppy”,

say their detractors. What matters to them is the fleeting impression that comes to them when faced with the motif, and, more than concrete reality, the subjective sensation and its immediacy. Their names ? Degas, Renoir, Monet, Sisley, Pissarro, as well as a young woman of great character, Berthe Morisot.

A productive companionship

This generation does not form a school, not yet, but it scrupulously cultivates a kind of companionship...

Source: lefigaro

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