[PR]
“I don't really have a sense of keeping shooting my family.” Director Hirokazu Koreeda (57), who made his debut movie after working on a TV documentary and won the Palme d'Or at the Cannes Film Festival last year, won the highest award at Palme d'Or. What is its real intention? What is the movie, the public, and what you want to convey to the next generation? Mr. Lihyunshigi, representative director of an NPO that provides free learning support for children with difficulties in preparation for the release of the “truth” of the French-Japanese collaboration performed by Catherine Deneuve and Juliet Binoche. 28) and talked with Yuki Kishi (28), a literary editor and Kore-eda fan.
Even if the family is diversified, the system cannot keep up with social repression.
Koreeda Hirokazu Born in Tokyo in 1962. Graduated from Waseda University. Directed the TV documentary and won the Galaxy Award for Excellence in 1990 with “But…”. In 1995, he made his debut as a feature film director with "Phantom Light", and in 2014, he was awarded the Minister of Education, Culture, Sports, Science and Technology Award for "And Become a Father". Asahi Prize in FY2006. The latest “Truth” will be released nationwide from 11th at “TOHO Cinemas Hibiya” and others.
Lee Speaking of Koeda's work, there is an image of a family. Last year, the highest award for Cannes was the “shoplifting family”. The new “Truth” also depicts the love and hate of mothers and daughters. I am from a poor area and currently support children and children of the poor generation in terms of life and learning. What I feel about Japanese families is that their ties and blood are very strong. That is. Institutions and wisdom are pulled by modern “good families”. Why is Kore-eda focusing on the family?
Kore: Actually, there is almost no awareness of continuing to shoot a family. The theme of this “truth” is that the fiction exceeds the truth by acting, and the feeling of adding a family drama as an element. However, as a matter of fact, the family has diversified, but the system has not caught up and social repression is too strong. The definition of a family in Japanese society is unambiguous, and it does not accept a way that protrudes from a fixed form.
Li Hyun Shigi Born in Hyogo Prefecture in 1990. Graduated from the University of Tokyo. Established NPO “Learning for All” in 2014 and became representative director. Support for children is more than 7,000. Director of “National Children's Poverty and Education Support Organization Council”.
Lee How do you create an intimate zone? Our theme is to create a safe and secure space without blood.
Kishi: The way of the French family that is the stage of “truth” is diverse. Single mothers are commonplace and it is easy to receive various welfare.
Kore: Japan is not. LDP ...
