We have been waiting for this for so long! It is the cry of the heart of Ana Bela Chavès, viola solo of the Paris Orchestra, behind the scenes of the Philharmonie, empty and silent compared to the usual hive. During the millimeter ballet of masked stage managers, the musicians wait to take their place, marked on the ground according to the protocol developed by their director Anne-Sophie Brandalise, in consultation with all. 1.50 meters between the strings, 2 meters between the winds. On the ground, at the foot of the latter, a white paper towel: this is where they will empty the condensation of their instruments.
It's a resurrection
Philippe Aïche, first violinThen we come across the first violin Philippe Aïche, one of the prime contractors for this particular back-to-school season: " It's a resurrection, " he launched, confirming that the orchestra was chipping away. Six strings, with the sweet nostalgia of Strauss's Capriccio , thirteen strings and winds, for the luminous tenderness of Wagner's Siegfried Idyll , which finally sounds an arrangement for eighteen winds and timpani of
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