06/12/2020 - 20:31
- Clarín.com
- Opinion
In a sentimental video, with a melodramatic and vindictive tone, Cristina Fernández de Kirchner spread a viral staging. In three minutes and forty-nine seconds she bursts in with her haute couture white facemask held with one hand, while with the other she greets her fans, always present and aware of her schedule. She professionally displays her best role: that of the persecuted .
Trembling and at the same time final, she maintains that the judicial cases that accuse her were armed. That it was all a conspiracy. That there were no Centeno notebooks, nor the millions of Hotesur and the Willows, that the hotels and surcharges were false, and that she was the beloved victim of a half-world conspiracy. Distorted words are the way in which certain rulers gain the consent of those they subdue . The staging is also central. The greater the self-esteem, the greater the assumption that all research is the construction of an abominable injury.
The Cristinista dramatization is not a detail. It is his style of persuasion, which evolved into the intense condensation of his efficient use of networks. There he says that the plan devised to persecute her was set up to destroy opponents.
The faces of various journalists appear in the video and, for an instant, the cover of the book La Dueña that we wrote with my son in 2014. She was not an opposition but full power then.
All investigations began when she was leading the country and continued later.
And they will continue.
Melodrama is the key to the collective seduction system. The influence of the radio soap opera first, the soap opera later and the sentimental videos online is notable for the construction of Latin American political sentimentalism that functioned as a mask (not as a mask) to make up various authoritarianisms , exaggerations and unforgivable robberies but, in general , forgotten.
It is about substituting facts for tears, permuting roles: from powerful and punishing to Santa, stripped and helpless . An active transmutation by cameras and editions.
Santa Cristina acts of itself according to its immaculate side.
Aesthetics and power. Politics as a show. Instagram as a priority digital, magnetic and efficient balcony to erase evidence, evidence and years of investigative work from social memory.
The vice president pre-announces the undeniable offensive and already underway. Revenge is designed. And nothing and nobody will prevent you from carrying it out.
Revenge is the model.
At the same time, the state appropriation of Vicentin is advancing, an experimental spearhead of the colonization of the governmental caste on the agricultural productive spectrum .
Everything has been sloppy but nothing was improvised. As it was already revealed, Ricardo Echegaray was the ideologist of the exaction.
Anabel Fernández Sagasti, Cristina's alter ego and puppet in the Senate, mentioned at the time -2016- one of Cristina's eulogies towards Hugo Chávez. On Twitter Fernandez Sagasti replicated the thought of his boss: “Three years after her physical departure. Men like Chávez do not die, they are sown. CFK #ChavezEterno #PatriaGrande ”.
Obviously they continue sowing Chavismo in Argentina. Fernández Sagasti was next to Alberto Fernández when the official takeover of Vicentin was announced.
The rusty mechanisms of the lordship of yesteryear sneak up the intricacies of the pandemic and rise again.
Circulating through the hackneyed open veins of the artificial heart of the populist homeland, the ideological flow of redemptive state nationalism settles with frenzy and to the rhythm of vice-presidential performance. She, a master of passionate political Instagram, who does not hesitate to assume a new debt, that of Vicentin, in the precise instance in which an agreement or default is decided.
The Vicentin case does not exempt employers or the previous political administration from possible sins.
You have to investigate everything.
But the concrete thing today is that the company acquired a new debt.
Precisely at this time, when infections are growing and the economy is full of disasters, when the anxiety about empty pockets increases and rightly so, when we do not know what is going to happen because nobody has certainty but doubts about what might happen in the future. righ now.
Right now, another liability was added to us because Christianity has decided so.
Santa Cristina is not going to pay it.
She doesn't pay.
We do.