Damascus-Sana
The relationship between painting and poetry is an interactive relationship and it makes many poets artists express their insides and dealings with the surroundings, sometimes with a pen and at other times with a pen, and one of these is the writer and plastic artist Ali Mohamed Merhi.
The painting's drawing starts at Mari from a mood that does not need preparation. Rather, he implements it if the tools and mood are available because it is an expressive form that expresses a state within it, so the painting may restore some serenity and take the artist to moments of contemplation and joy.
Merhi does not adhere to a specific technique when he paints, but depends on what he finds in front of him and may complete a whole painting from a simple one, indicating that he resorted in the last period to creating paintings using dry ink and other techniques of wood, water and felt.
And about writing literature, he clarifies that it did not go beyond initially attempts that included stories, poetry and sentimental thoughts, but it needed encouragement and refinement, indicating that the poet Ahmed Ali Hassan put it on the road and took his hand.
Mari has published several books of studies, poetry collections and novels through which he documented the Syrian heritage and social relations in Syria during the period of the French occupation, including the book (Sheikh Saad's Village Between Past and Present - Memory and History) in addition to his book which he issued in the spoken language entitled (Yama), which has its own specificity and connection In the village community, in addition to his novel (Rugged Mountain Roads) issued by the Syrian General Authority for Book and others.
Bilal Ahmad