Passionate about cars and cinema, Thomas Morales has notably published “Praise of the car. Defense of an endangered species ”(Éditions du Rocher, 2018) and“ A summer at Max Pécas ”(Pierre-Guillaume de Roux, 2019).
Everything I loved is slowly disappearing; all my landmarks are falling apart, I no longer recognize my embittered and vengeful country. So, tirelessly, for the sake of balance, I melancholy the past as others sharpen their murderous identities. My nostalgic nostalgia makes you smile, I am aware of it, it discredits me with the experts, the visionaries and all the sulleners of memory.
So much the better, the false virtuous and the moralists of operetta have always annoyed me with their manual of insurrection in hand. I wrap myself in this old pelisse, warm and comforting, to forget the noise of everyday life, this desperate news that forces us to choose between genuflection and repentance, between the permanent parade and the virtual petition. Mostly
This article is for subscribers only. You have 83% left to discover.
Subscribe: 1 € for 2 months
Can be canceled at any time
Enter your emailAlready subscribed? Log in