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Mathieu Laine: "Salammbô or the eternal wildness"

2020-09-14T18:59:18.853Z


CHRONICLE - Long before the semantic quarrels which now surround any analysis of contemporary violence in the media, Flaubert knew how to portray the springs of cruelty.


By aiming to

"put an end to the enslavement of a part of society"

, Gérald Darmanin is part of the semantic wake of the

"savages"

of Jean-Pierre Chevènement.

Some sorrowful minds have seen fit to detect, by an accusatory shorthand, a concept dear to the ranks of Lepénistes.

Except to sink into the stupefaction of spirits, one cannot decently stigmatize a man or an action on the use of an expression, even if it is cherished by others.

To read also:

The "savage" opposes Dupond-Moretti and Darmanin

In this case, some have been able to recall, rightly, that the poet Aimé Césaire used such a term in his

Speech on Colonialism

, just like the highly respected political scientist Thérèse Delpech, in

L'Ensauvagement: essay on the return of barbarism in the 21st century

published by Grasset in 2005 and crowned with the Femina prize.

In

Salammbô

, Gustave Flaubert, the great sculptor of sentences of French literature, also, in a language of infinite grace, associated violence with the fact that animality abounds in fruitless force, in uselessness.

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Source: lefigaro

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