The Minister of Equality, Irene Montero, in the Reconstruction Commission in Congress, Sebastián Mariscal / EFE
Let's imagine a scene.
Tony Soprano enters a bar.
Someone is watching him insistently from the bar, probably another guy.
She follows him from the doorway, scans him up and down, and keeps her eyes on Soprano's package.
Clearly, Tony will not take long to respond to such a provocation.
You don't have to be a screenwriter to know that he is going to release one of the most masculine phrases in film history: "Can you tell what you're looking at?"
What happens next is a bullet, brains against the wall and all that.
For a man like Tony, a look insists ...
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