We want to be happy to return to the theater, even while wearing masks and allowing ourselves to be infantilized (wash your hands, leave the room when your rank is called), but some directors have a pretty sense of celebration. doubtful.
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A shy return of the public in Parisian theaters
Take
The Grand Inquisitor
for example.
This show was not planned for the Odeon season but it opens it.
Sylvain Creuzevault was working on an adaptation of the
Brothers Karamazov
(it will take place in November) when this chapter of Dostoïveski's novel, in the light of the pandemic, inspired him to put on a stand-alone show:
“We felt that the whole of social production, based on the industrial capacities of globalized production, took us away from ourselves to such an extent that it took the great return of death in real life to make us aware of the forces of life, and of desire in us was not machinable, would no longer be machinized. "
The dialogue between the pious Alyosha and his brother Ivan, the intellectual
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