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Seminar (writer and position) devotes its weekly activity to plastic art with a woman’s feather

2020-10-25T22:56:46.246Z


Damascus-SANA Plastic artworks made by women often bear the characteristic of women, which prompted themDamascus-Sana Plastic artworks made by women often bear a woman-like character, which prompted the “Writer and Position” symposium to devote its activity today under the title “Plastic Art with a Woman's Feather as a means of aesthetic and demanding expression” in Abu Rummaneh's culture. Writer and Position Seminar, which is more than fifty years old, at the beginning of which the plastic artist


Damascus-Sana

Plastic artworks made by women often bear a woman-like character, which prompted the “Writer and Position” symposium to devote its activity today under the title “Plastic Art with a Woman's Feather as a means of aesthetic and demanding expression” in Abu Rummaneh's culture.

Writer and Position Seminar, which is more than fifty years old, at the beginning of which the plastic artist, Aksam Talaa, spoke about the fact that the product of women is characterized by softness, kindness and distance from violence, distinguished between two topics in this field, namely women in shaping and shaping with a woman’s feather.

Talaa also reviewed an example of the experiences of the Syrian artists, where he produced hundreds of paintings, such as the artist Laila Naseer, whose experience was based on confrontation and the taming of fear, Shalabiyya Ibrahim and Asma Fayoumi, and the latter worked on one topic: family, migration, fear and alienation, as well as Lujain Al-Aseel, the pioneer in the drawings of women and the family. Which talks about war, while artists devoted their paintings to women, such as Ghazi Al-Khalidi, when he painted Damascus, a woman on a horse, and Nazir Nabaa, who painted Damascus women, princesses wreathed with jasmine.

In turn, the plastic artist Sawsan Jalal saw that women are bound to deal with the home and children, unlike the man who finds enough time to paint, but the female’s work remains “gentle and affectionate even if you paint cruelty”.

Jalal stopped at the female artistic experiences in Syria, like the artist Naseer, who reflected in her life experience and was determined to accomplish and wanted to prove herself by force. As for Jane al-Aseel, she went to the children and devoted her gift to them until she reached the world, while Ibrahim Shalabya ​​was distinguished by her soft and transparent works that attract the beholder, mixing between women as content and silk as a component .

The seminar was moderated by critic Abd al-Rahman al-Halabi and the artist Jalal discussed her personal experience as an artist, woman, and artist Talaa in his critical view of plastic art with a woman’s brush.

Bilal Ahmad

Source: sena

All news articles on 2020-10-25

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