In the second half of the 1950s, with the wounds of the war still pending to heal, a young Italian filmmaker wanted to observe, with the same critical spirit that led her to leave behind her fascist education to approach anarchism, the profound transformation of a a country that renounced its peasant roots to embrace the dogma of industrialization and consumerism.
Cecilia Mangini reflected in her films, 10-minute short films ...
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