Sweida-Sana
Feminine and childish touches weave the features and feelings of femininity on the surface of the paintings of plastic artist Nahla Mawal in her second solo exhibition hosted by Aref Al-Nakadi Gallery at the Culture Palace in the city of Sweida.
The exhibition, which lasts for a week, includes 44 artworks of various sizes, which Mawal worked with in acrylic and oil colors, through which the woman embodied all her states, feelings, pains, hopes and joys in an expressive style, as she explained to the SANA cultural correspondent.
Art for Mawal is a state of love, and when she draws her painting, she does not have any perception or preconception, but rather allows her feelings of joy, sadness, tranquility and other feelings that the female has to flow on the surface of her paintings so that the woman is the greatest present in her drawings, where she means a lot and sees her as an icon of beauty Motherhood and giving.
Plastic artist Jamal Al-Abbas, during his presence at the opening of the exhibition, described the exhibition as beautiful by all standards and in it a new deepening of the concept of spontaneity, primitiveness and honesty in it, especially since the artist Mawal had never studied art academically, but responded to the calls of the interior, which is full of many values close to creative work and is based on credibility .
Compared with the short artistic age of the artist, Nassim Munther found that the paintings are dominated by instinct and childhood in the formation and are characterized by warm colors that attract attention, noting the beauty of the exhibition and its new artistic experience.
While the artist Mahdi Al-Baini pointed out that Mawal began in an advanced stage and has a great love and appetite for color and its results are very beautiful. What distinguishes the exhibition is the new method that pushes the human to scrutinize more as if there is a special imprint that distinguishes it, which also drew the attention of Maher Oweidat, one of the visitors of the exhibition.
Diyar Nasr