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Mathieu Bock-Côté: "Racial obsession wins until opera"

2020-12-30T20:16:45.312Z


CHRONICLE - The Paris Opera only mimics North American manias. The racial question is invited at the Paris Opera and naturally, M, the Magazine du Mondeapplauds, in a report full of admiration for the employees of the institution engaged in a militant process. The story can be guessed: since the George Floyd affair, as is now the ritual discourse of the racialist movement, which would like to make it the zero moment of a world conversion to diversitarian orth


The racial question is invited at the Paris Opera and naturally,

M, the Magazine du Monde

applauds, in a report full of admiration for the employees of the institution engaged in a militant process.

The story can be guessed: since the George Floyd affair, as is now the ritual discourse of the racialist movement, which would like to make it the zero moment of a world conversion to diversitarian orthodoxy, the "racialized people" working in The Paris Opera would have become aware of the repeated "micro-aggressions" they would suffer there for a long time.

In other words, the tragic and revolting death of a black man in Minnesota, a rather distant American state, would have traumatically awakened the repressed memories of French “minorities”.

Racialism, again, prompts men to phantasmally identify with others, on a distant continent, in a foreign land, on the sole basis of skin color.

Last September,

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Source: lefigaro

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