The artist Luis Gordillo, portrayed on Tuesday in his studio in Madrid.
Photo: Inma FloresINMA FLORES / EL PAIS
There is a kind of biting, brown nostalgia that dwells between sensory neurons.
It is like a small memory full of unviable and obsessive paths, with a calm pulse and nervous impulse, like the painting by Luis Gordillo (Seville, 1934): anatomical labyrinths, like the cerebral hemispheres, full of narrative tensions and chromatic holes.
Closed circuits full of doubts.
Those of the artist have long lived in a cellular world as if they were leukocytes, which provide him with antibodies even from himself.
From e ...
Sign in to continue reading
Just by having an account you can read this article, it's free
Sign up
Thanks for reading EL PAÍS