Damascus-Sana
Poetic images, deep meanings and displacements in terms of form and content are crowded together in the recently released poetry collection of the poet Muhammad Al-Fahd under the title “Ink of Absence” through texts replete with internal and external music.
And the poet leaves the leopard for his poem the freedom to form its external structure and lets it flow on the whites of paper to appear as prose texts, and the reader later discovers its belonging to the poetry of the tafel through the music in harmony with the meaning that took actions consistent with the poet’s sentimental and personal soul.
The emotional and personal concern is the most prominent in the group in which the poet expresses his pain and nostalgia through a transparent and deep symbolism at one time or another. The reader may feel something of ambiguity and not the thumb, which gives his texts an added value that suggests a multiplicity of meanings and visions.
It also appears in the texts of the poet Al-Fahd that the literary genres overlap, especially the art of the story, which stimulates the reader's imagination and keeps boredom away from him, especially in his emotional and sentimental texts.
Twenty-eight texts included in the “Ink Al-Ghayab” collection, in 142 pages of medium volume, issued by the Syrian General Book Organization.
It is noteworthy that the poet Muhammad Al-Fahd began his journey with writing since 1990 in local and Arab newspapers, and he is a member of the Arab Writers Union in the Poetry Association. More than ten collections have been issued to him, including “Mirrors of Time”, “The Lament of Questions”, “Miracles on Tales of Clouds” and “ Autumn meaning.