"I'm here to give the sign that the theater is there, and on a stage that belongs to us by right. Once a year, the Ariston is loaned to the festival, the rest is ours".
Monica Guerritore
has never made a mystery of her commitment in the front line
, who accepted the invitation of Achille Lauro and on Thursday will be in Sanremo, guest with Emma Marrone of one of the 'paintings' of the singer, artist and performer
.
"The theater is also alive in such an innovative and generative combination of new forms like that of Lauro", the actress is passionate about in an interview with ANSA.
"His call inaugurated days pushed by a wind full of energy, his narration is that of those who have moved the 'bar of the possible' further. His talent is a powerful engine: in his expressive world pushed to the excess I recognize my theater in recent years ".
An opportunity for the festival to 'make peace' with the theater, after the controversy and the stop to the audience in the hall?
"On the one hand - underlines Guerritore - it is right that the audience should be empty, as well as that of all Italian theaters. On the other hand I like to underline the effort, I would say moving, that I saw last night by Amadeus, Fiorello, Matilda De Angelis, of the cast, of the artists, of the orchestra, to overcome this void with affection, with love. Basically we are all here to carry the show with a capital 'S' on our shoulders. The controversies? Maybe they will massacre me, but the theater must not stop, if there is only one chance to get on a stage it must be exploited. Being here means that the theater is there. And the commitment of technicians, workers, radio and TV personnel indicates that you can start living again ".
March 27 is approaching, the day in which cinemas and theaters are expected to reopen in the yellow regions: "I'm ready, I'm talking about it with the Vascello in Rome. I open up and sit there with the public, whoever comes will come. it is important to start over, despite all the difficulties of this terrible period ".
On the other hand, he concludes, the live show has no reproduction.
"If Ricordi had not recorded Callas, we would not have the voice, if there were no records there would not be Sanremo. We, on the other hand, are tied to the stage".
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