What is specific to the art of photography is to witness what has existed: “Ça a été”, says each photo, in the words of Roland Barthes, in themselves touched with melancholy, because that which has been is no longer, altered by each one of the minutes that have passed since the camera was triggered.
Sooner or later there is no photo that is not the portrait of a ghost.
Japanese photographer Tomoko Yoneda does something different.
What she portrays is not the visibility of things ...
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