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Wind turbines: "The invaders"

2021-03-26T19:55:40.580Z


The editorial of Le Figaro, by Bertrand de Saint Vincent. Beauty has only one flaw, but it is significant: it is reactionary. Intrinsically unequal, demanding and proud, it reestablishes hierarchies and extols the lessons of the past. As such, it must be lowered. Contemporary art, which despises her with superior irony, has paved the way. The cinema followed suit. By claiming, like a pseudo-popular virtue, her " vulgarity" , the heroine of the recent Cae


Beauty has only one flaw, but it is significant: it is reactionary.

Intrinsically unequal, demanding and proud, it reestablishes hierarchies and extols the lessons of the past.

As such, it must be lowered.

Contemporary art, which despises her with superior irony, has paved the way.

The cinema followed suit.

By claiming, like a pseudo-popular virtue, her "

vulgarity"

, the heroine of the recent Caesar ceremony, Corinne Masiero, brought ugliness to the pinnacle.

Wind turbine propagators are part of this trend.

Regardless of aesthetics, this aristocratic virtue.

“Ranged like soldiers”

in the furious terms of illustrator Philippe Dumas, thousands of

“tourniquets”

diligently disfigure the French landscape.

Concrete activists for a better world, they dominate all territories with their overwhelming silhouette.

Historic site - Alésia -, massif that made Cézanne dream - Sainte-Victoire -, battlefield of the First World War,

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Source: lefigaro

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