Baudelaire's “writings on art” have long been a joy reserved for those who had read everything else.
The first publication bringing together these disparate texts, which often appeared in reviews, in 1868, was entitled
Curiosités esthétiques
: des rarities, documents in appendix, the surplus of a work already so rich.
In the edition of the "Pléiade", due to the very learned Claude Pichois in 1976, they were found in the second volume.
At the very most, these descriptions of paintings and these essays drafted at the time of significant exhibitions were accorded the honor of having been the melting pot of Les
Petits Poèmes en pros
e.
"READ ALSO -" The Painter of Modern Life "
: Baudelaire's forgotten masterpiece
The edition proposed by Henri Scepi, professor at Sorbonne-Nouvelle University, turns everything upside down.
It starts there.
Only then come
The Artificial Heaven
and
The Flowers of Evil
.
The “Quarto” collection allows for a great luxury of images.
They are essential when it comes to showing the reader
This article is for subscribers only.
You have 64% left to discover.
Subscribe: 1 € the first month
Can be canceled at any time
I ENJOY IT
Already subscribed?
Log in