Damascus-SANA
The cultural poetry festival held by the Damascus branch of the Arab Writers Union at its headquarters, in which a number of poets from different governorates participated in different poetic forms and philosophical, national, human and social themes.
The poet Omaima Ibrahim recited two poetic texts during the festival, which were dominated by pain and reflection of reality and human concern, in a modern style formed by artistic connotations and human visions.
And the poet Ahlam Ghanem, in her text, manifests the homeland, victory, zeal, and the people’s stance on conspiracies in the two-part style, commitment to music and narration, in addition to the love of the martyr, whom she considered a historical symbol.
The poet Dr. Bassam Hammouda delivered a poetic text in which he showed love for the Levant and loyalty to its history to reach steadfastness for the sake of Syria, relying on the technical references inherent in the text.
The text of the poet Saleh Salman entitled “Resurrection” indicates the importance of protecting the homeland and clarifying what he was exposed to. Then he spoke about the Levant and beauty according to human psychological and philosophical cases.
The poet Abdul Karim Shaaban read a dialogue poem from the abundant sea between him and his heart to present many of the life transformations and life situations that man goes through in an artistic and emotional way. Hair art.
At the same time, the poet Linda Ibrahim expressed a number of human and social issues in a poetic case in which she combined the past and the present without giving up music in a modern artistic way.
In her poetic text, love appeared in the poet Lina Hamdan as the most important ingredient for a correct life, and she expressed the many pains and concerns experienced by society, and indicated by its symbols the necessity of fulfillment.
The poet Naim Mia concluded with poems of the form of the activation and the two halves, so that respect for the human being and commitment to values are among the necessities of the semantics of his texts through the sincere and spontaneous emotion that was in the two texts.
Muhammad Khaled Al-Khidr