Niederneuching - 120 spectators were able to enjoy four hours of Bavarian music cabaret at the “Neichinger Lachnacht” in the open air.
They loved it.
Gratitude to be able to play again and the joy of informal sociability in the wonderful courtyard ambience of the Ismair family in Niederneuching ensured a relaxed and exuberant atmosphere at the “Neichinger Lachnacht” on Saturday evening.
The Neuching cultural association organized the four-hour Bavarian cabaret evening with Erich Kogler, Chris Buntspecht, Sara Brandhuber and Michael Dietmayr.
The event with 120 spectators sold out quickly.
Cultural Association Vice Florian Fink introduced the stage guests.
The musician, comedian and music teacher Erich Kogler from Hausham started the event.
He dedicated his current program “I just want to sit there” to the undisturbed break as a little escape from everyday life.
A simple wish that nothing should stand in the way, one might think.
Loriot already knew that this is not the case.
Be it the bustling wife or the hectic life that comes in between, there is simply no rest.
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Solo travel: Erich Kogler, who also plays with Roland Hefters Isarridern, told of his longing to just sit somewhere in peace.
© Vroni Vogel
No wonder that Kogler got the “Köttbullar Blues” when his lady wanted to lure him to the Ikea tealight larvae land. No wonder that many men in the audience laughed particularly loudly at this number. "Dahoam is such an inconspicuous word, dahoam, des is vui more than one place," sang Kogler about arriving at oneself and what one loves.
The songs of Munich's Chris Buntspecht dealt with capricious women, beefy puke orgies and erotic clouded pupils. "Better disgusting than not again, not exactly elegant, more like an elephant" is the outline to which the love-hungry gives himself to the horror of his specials. The urgency of the hormone-controlled night owls has a reason: "I lifted rum koane Augn down below" - a sexual behavior that should also occur in women, as Buntspecht wanted to prove in a vocal role swap report.
The song about the “Scheißzitronenbaum” is actually called “Lemon Tree” and was staged by Buntspecht as a participatory number, with the audience in a good mood contributing the rhythmic clink of glasses and bottles. In his poetry slam number, Buntspecht told of his last visit to the Oktoberfest in 2019 with "Saurausch" and the repentant vow to take a break of at least 300 days - who could have guessed at the time that the pandemic reality would order the drunkard a much longer abstinence.
With onomatopoeic song rhymes about useless cut protection trousers, a crocodile snapper that threatens noble masculinity, chameleons that have gone gray, fighting machine llamas and Rosenheimer poodle apple strudelschlonz, Sara Brandhuber from Verstorf designed her appearance and presented her program "Gschneizt and Kampelt 1-" - with nostalgic borrowings from Bayern-1- Hits.
Her Rachelied "about all situations with idiots" culminated in a perfidious threat: "I sucked your Mam's".
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Sara Brandhuber created her songs with onomatopoeic rhymes.
The deliverer threatened in her Rachel song: "I sucked your Mam's."
© Vroni Vogel
The near-death experience of almost choking on a peanut flip, the husband commented unmoved: “Samma z'gierig gwen.” Insatiability has its price, not only when sniffing treacherous peanut flips: “Yes, greed, yes, greed, compels everyone in the knees. "
Michael Dietmayr knew how to sing a song about what worries women: “Hunger, Pippi, Hunger, Pippi, cold” and what do men think about it? “Football, pork roast and a hoibe beer” - with these gender-specific refrains, Dietmayr established a choir among the audience that sang up against each other. And what is the logical name of his current program? - "Fuaßboi, women and other G'schichtn". The musical experience report of an e-youth soccer game told of mothers “who have changed”. “Mom's playing football, you've already experienced it, that's proof that world peace doesn't work,” the singer sums up. Another song spoke of the secret longing to be netless for once.
The audience in the courtyard and the four on the stage were well connected that evening. There was a lot of applause, encore calls and a big thank you to the Neuching cultural association and the hosts of the delightful venue. VRONI BIRD