Christine Eixenberger and the band 3 Kritische drew an amusing review of the lockdown madness at the open air at the Weyhalla.
Weyarn
- What happened to the rubbish bin that Christine Eixenberger placed on the edge of the stage at the beginning of the evening in order to create a “national reserve” there? Say "we collect unsanitary, unusable things that we sell to Jens Spahn". Sung to the tune of the “Schwäb'schen Eisenbahn”, a lot came together, at least mentally, from used handkerchiefs to leg wraps with quark remnants to corn plasters and settled as a persistent catchy tune, until the next musical interlude during the pandemic of “Ciao Weiss-Blau "Renamed to" 3 Kritische "Wolfgang Hierl (guitar, flute), Erich Kogler (double bass, Styrian, trumpet) and Tobias Öller (guitar, ukulele, loop station) was replaced.
Without much advance notice, “Christine Eixenberger & Band 3 Kritische” Weyhalla host Girgl Ertl offered to preview their new, corona-compatible program in terms of playing time.
He, in turn, had spontaneously agreed (“it’s over”) and so they sat on the new open-air stage, sometimes under a particularly intense rainbow and sometimes accompanied by loud birdsong, to watch live in two shifts in front of a visibly grateful audience play and show him the months of homeschooling again.
Some people will have had an aha experience when teacher Eixenberger tries to gather her class on the screen.
Also read: Christine Eixenberger becomes godmother for the forest adventure trail in Hausham
In any case, it visibly amused those who had recently been taught digitally how the spirited cabaret artist is running a Fortnite adventure at the same time, is visibly moved by the screen background with the Fischbachauer Knödelfest ("des war no vor'm Kriag") and the remaining ones Pupil still loses because one of the father needs the laptop and the other mother opens the break sale with press bags. There is the thoughtful Simon, who dreams of becoming a “computer game specialist editor” and, with his slow manner, represents a pleasant counterpoint to the hyperactive average.
"ADHD is now considered a status symbol", reflected Eixenberger and told of the overkill on "Me Time" during the lockdown. “I went for a walk with myself. I read to myself. I didn't play with myself. "It is disturbing to be both for and against yourself at the same time." The situation got marginally better through a relationship that took place exclusively in the living room and the forest and in which whether this intensity counts a year for five. It became critical when she was just able to hold back, when she wanted to shout an imperative "Ausanand!" Out of the window to five young people from more than two households. “Mia has enough with Me Time!” Is the conclusion that she shares with the musicians and the audience.
And even if some of the program was still a bit bumpy, it was fun overall.
Especially in the interplay with the music, which ended wonderfully with the groupie song as an encore.
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