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Theater: "a woman in pieces", the evil of a mother

2021-07-19T19:12:58.793Z


Filmmaker Kornél Mundrunczo brilliantly adapts his film to Avignon. Cannes never ends. For his general delegate in any case. Sunday July 18, barely the red carpet rolled up and the palm of gold loaded in Julia Ducournau's suitcase, Thierry Frémaux continues to talk about Cannes… in Avignon. As if Pogacar, yellow jersey on the Champs-Élysées, continued to pedal after the finish line. Information taken, Frémaux was expected in the City of the Popes for a meeting wit


Cannes never ends.

For his general delegate in any case.

Sunday July 18, barely the red carpet rolled up and the palm of gold loaded in Julia Ducournau's suitcase, Thierry Frémaux continues to talk about Cannes… in Avignon.

As if Pogacar, yellow jersey on the Champs-Élysées, continued to pedal after the finish line.

Information taken, Frémaux was expected in the City of the Popes for a meeting with Olivier Py, the director of the Festival d'Avignon.

Invited to talk about their profession as

"patrons of the biggest festival in the world"

, Frémaux and Py chatted quietly.

The first more serene than the second.

Cannes has managed to pass between the drops of Covid.

Avignon is already at three shows canceled in the In and the extension of the sanitary pass to all the venues of the festival from July 21 is weighing down an already very little festive atmosphere.

But Avignon continues and it is Kornél Mundrunczo who comes to make the link between cinema and theater.

Read also:

Festival d'Avignon: the favorites of our special envoys

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Source: lefigaro

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