I would like to thank Abel Quentin for allowing me to come back to the fundamentals of the literary critic's profession: to admire.
His
Clairvoyant d'Étampes
is the most ambitious thing I have read since
The Supernumerary Man
by Patrice Jean (2017).
There is now a school of neo-Zacian novelists, followers of Houellebecq, who describe the French decay with vengeful sarcasm.
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Summarizing the plot of the
Seer of Etampes
is not an easy task because we would bite our fingers to unveil the many surprises of this story, which make it all the interest and pleasure.
The antihero, Jean Roscoff, is a retired university professor, absurdly accused of racism, while he once campaigned for SOS Racism.
He does not understand why the "woke", heirs of the anti-racism fight, become completely fanatical on Twitter.
Author of a biography of Robert Willow, a little-known American poet, he sinks into gin and misunderstanding.
Lesbian daughter sleeps with a neofeminist who accuses her of all
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