Remove the useless phrase.
Once Upon a Time in Hollywood
is 1) a great movie, 2) a great novel.
The epithet "fat" is the most indulgent qualifier to designate this pavement with the red cover where the director takes up the plot and the characters of his feature film.
It appears to be called novelization.
So the brave, indefatigable Quentin frantically typed on his machine, probably thinking that the publisher would cut it off.
The publisher did nothing.
This gives this scenario inflated with hormones, this mush of adjectives, this accumulation of dialogues, not necessarily percussive
("How do you take your coffee, Mr. Dalton? - Noir: black is beautiful, as they say").
Digital event of the literary Figaro: "How to get published?"
In the secret of publishing houses ”
To read also
Quentin Tarantino: "The current society totally removes people from their responsibilities"
Tarantino plugs the holes, reveals the warlike past of his stuntman Booth: he did not only kill his wife with a harpoon gun for sharks, but also a bunch of enemies in Italy and two other people (shhh).
Rick, actor at the pickup, lives near Polanski's.
He almost got the role of Steve McQueen
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