At 58, the latest dance star offers an intimate and moving piece, which combines action with words.
The pinnacle of research into his art.
She left the Paris Opera in 1998 to direct the Ballet de Marseille, then found her company at the Théâtre du Corps.
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LE FIGARO.
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The dancing woman
, is that you?
Marie-Claude PIETRAGALLA.
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The creation dates from 2019. It started from texts that I wrote precisely on the emotions, the sensations that are released on stage and on the contact that we then have with the intimacy of the body.
I use what I have experienced: my relationship to the stage, my choreographic experience, the moments that have marked me, such as my emancipation from the Paris Opera Ballet, my direction of the Ballet de Marseille, my company .
I wanted to involve the viewer in something you never hear: breathing.
Sensors placed on my body allow a whole sound work.
We hide the breath so as not to show the effort, but it is the vector
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