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Why Bruno Jonas is now saying “My dear bodies!”

2021-10-18T05:16:47.186Z


“My speech” is what the cabaret artist Bruno Jonas calls his brand new program. In Miesbach he fulfilled the hopes placed in him for a spirited and humorous evening by far.


“My speech” is what the cabaret artist Bruno Jonas calls his brand new program.

In Miesbach he fulfilled the hopes placed in him for a spirited and humorous evening by far.

Miesbach

- “Everyone with a mask!”, He wondered right at the beginning in front of around 400 spectators in the Waitzinger Keller in Miesbach. "Yesterday in Taufkirchen hod koana oane." And immediately got really upset for the first time because the politicians keep saying: "We need a European solution!" - which then comes very late or never. Since Jonas packaged the new program in the form of a speech, he brought his own desk with him: the “Edmund” model from Ikea.

Of course, it is not a "normal" speech.

Rather, the born Niederbayer step forward again and again to get really upset.

He routinely plays with volume, position on the stage, the change between High German and Bavarian.

He demands a lot from the audience and hardly allows them a quiet minute to relax.

He repeatedly tries to use the image of the "filter bubble", a term from modern media studies.

One feels comfortable in theirs because the majority opinion prevails here.

High demands on the ability to absorb and concentrate

“My speech” places high demands on the visitor's ability to absorb and concentrate, and refers to findings from philosophy and the theory of science.

Jonas skilfully builds in “lighter” passages so that, in addition to the convolutions of the brain, the laughing muscles can also play along.

So he takes his audience, with whom he has established a fruitful communication, on a roller coaster ride between intellect and humor - with over two hours net, without even beginning to drift into the comedy field.

And then the thing with the "bodies"

The Greens would develop into a religious community financed by church taxes, he predicts. In Anton Hofreiter he sees the “redeemer” who can walk across the water and who will take over the “office for world rescue” in the next government. He compares Transport Minister Scheuer with a convertible: “The man drives open at the top.” He “deals” with the pension system, democracy, the German armed forces, the power vacuum, the energy transition and the climate crisis, and also the forgetfulness of Olaf Scholz, and on the gender issue he asks the audience: “Soi ma's Same macha or after the break? ”“ Same! ”shouts a viewer,“ then hama's behind us. ”Many a question remains open - for example, why it is called“ abandoned suitcase ”and not“ ladyless ”. The 68-year-old finally decides not to differentiate anymore, but to refer to people as “body”.So: "My dear bodies!"

Top cabaret artist spices up the program with his own poems

The scene in the Telekom queue develops ravishingly, where after long patience he finally comes across Saxon-speaking employees, for which he of course has an explanation: "The Saxons have service competence because they grew up that way, because they have learned how you deal with people who want to complain. ”The top cabaret artist spices up his explosive mixture in the re-playable Waitzinger cellar with a handful of his own poems - linguistically artful and thoughtful - and thus reveals another talent that is already abundant for him padded cradle was placed.

Reinhold Schmid

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Source: merkur

All news articles on 2021-10-18

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