A light wind of woods and moss is blowing this October afternoon in Médan. It's cold, the sky is milky white. Tatiana de Rosnay, bundled up in her long blue coat, gestures widely. It is not to warm up, but to express joy. In front of Zola's house, she stamps her feet. She has been waiting for this for ten years, the time it took for the restoration work, of which Pierre Bergé was the main patron, to be completed. She walks around with childish legs, points to the garden below the alley and improvises as a guide:
"He has enlarged his property thanks to his successes: with Nana's money, he built the Nana tower." , with that of Germinal, the Germinal tower… ”
The author of
Flowers of the shadow
(Robert Laffont), knows everything about him.
»READ ALSO - Romancières sans frontières
In the disorder:
"He was very greedy", "he had a passion for trinkets", "if he had lived today, he would have been unleashed on social networks, he would have
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