Aleppo-Sana
The Fine Art Exhibition, which was held at the University of Aleppo, included more than 80 plastic paintings, with the participation of professors of the Faculty of Fine and Applied Arts with their students, on the occasion of the October Liberation and Correction feasts.
Thaer Hazi, the college professor and organizer of the event, said in a statement to SANA reporter that the exhibition includes different generations of senior professors, students and graduates, within the framework of Aleppo University’s keenness to evoke the spirit of Tishreen, which gave birth to different generations possessing culture and the national dimension.
According to Hezzi, the exhibition includes various and varied works in all directions, from experimental to realistic and documentary, with the keenness of some participants to document national cases and symbols in an artistic way that expresses their feelings, emotions and ideas regarding the life model they live, their hopes, aspirations and aspirations for the future.
Among the participants in the exhibition, which will continue until November 4, the plastic artist Khaldoun Al-Ahmad, professor at the College of Fine Arts, presented eight paintings in the lettering formations, highlighting the aesthetics of the Arabic letter and the plastic rhythm because Arabic calligraphy is one of the most beautiful fonts in the world.
While the plastic artist, Lucy Maqsoud, from the teaching staff of the students of the Faculty of Arts, participated in a painting depicting a group of trees as the only element that remained in this land and did not leave it. She says, “Whoever has roots will have fruits. The tree, with its symbolism, is roots, fruits and branches rooted in the earth and giving without limits.”
Maqsoud pointed to the aesthetic blending between the experiences of young people and the experiences of teachers within this exhibition, which is beneficial for both parties, because the new generation always has new things in the world of formation.
The young woman, Haya Ayachi, a graduate of the Faculty of Arts, who participated in an abstract painting, noted the importance of group exhibitions because they provide an opportunity for young people to make their mark in the world of art and take new steps to support the fine movement.
This was confirmed by the young woman, Judy Salibi, a graduate of the college, considering that these exhibitions are useful in exchanging experiences and getting acquainted with various works and ideas, indicating that her paintings that she participated in speak of the internal accumulations of man.
The exhibition was accompanied by lyrical, traditional and classical songs presented by a group of amateur youth, described by Ahmed Qabbani, the leader of the band that bore the name “Good Young People” as a distinctive gesture because it added a charming touch to the plastic exhibition amid the interaction of the audience.
Zainab Chahoud